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學術研究

解析造形原理-構成形式與造形內涵的探討

論文名稱:  解析造形原理-構成形式與造形內涵的探討
論文名稱(英文) The Analysis of Form Principle - The Study of Composition Style and Form Contents
研究者(中文) : 林崇宏
研究者(英文) : Chung-Hung Lin
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學校名稱 : 義守大學
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系所名稱 : 創商品設計系
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中文關鍵字 : 造形原理、構成形式、造形內涵、形
英文關鍵字 : form principle, composition style, form contents, shape
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中文摘要: 「造形」是一種可見、可觸與可感覺之有內涵的形式,它藉由材料的媒介構成某種樣式,造形並非只出現在其外觀上,另有其特定的內涵,此內涵包括有材料、內在的肌理、色彩、屬性等。「造形」實質上已涵蓋了各種概念上的形式,而藝術家、設計師或是建築師等,在其創作的造形種類或形式都不盡相同,但是一種相當簡單的造形原理已被他們的造形創作中界定而出。例如:繪畫形式是由圖形、象形的造形構成,是屬於視覺的感受;雕塑的創作,則是由材料與結構造形的形式展現,是屬於觸覺的感受;而建築則是空間體驗的形式,是屬於心理、視覺感受的形式。由於「造形」所探討的層面相當廣泛,因此,以「形」為主的各項事物的思維問題,必須瞭解造形本質。
本研究論文所要探討的造形原理是「構成形式與造形內涵」,主旨在深入瞭解造形外在的表象與內在的風格;外在的表象是形式、空間實質存在的量體,以造形的外觀來分析,屬於造形形象的建立,是一種實際存在現象,而內在的內涵形式是從其本身的精神、風格與創作內容來探討。
英文摘要: “Form” is a visible, tactile, and perceivable style with contents, which is constructed certain patterns with the media of materials. Form does not simply present on the appearance, but on specific contents, including material, intrinsic texture, color, and attribute. “Form” indeed covers various conceptual styles. Nonetheless, artists, designers, and architects are likely to present distinct form patterns or styles in creations. A simple form principle might be defined from their form creations. For instance, painting style, as a visual sense, is composed of graphs and pictographic form; the creation of sculpture, as a tactile feel, is displayed on materials and the style of structural form; and, architecture, as a psychological and visual experience, is the style of space experience. With the broad dimension covered in “form”, various thoughts of “shape” are required to understand the essence of form.
In this case, composition styles and form contents are the major form principles discussed in this study, which aims to deeply understand the external appearance and the inner style of form. The external appearance is style and space entities, which analyze the appearance of form and are the establishment of form image, that it is regarded as a real phenomenon. The inner contents style, on the other hand, tends to discuss the spirit, the style, and the creation contents of form.
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