現今社會人們對於物質追求的型態與性質，有別於以往純粹的形式，工業化的社會裡，人造物被廣泛運用，造就了現代的方便性，但因過度的理性化，反而帶動人們對於自然與手工感的回歸。
本創作希望運用自然材質的特性，透過時間性、型態性、多變性進行創作，並藉由材料的互相融合與紋理的豐富變化，展現出手感設計的溫度感，以提袋包為主的外型與功能，結合了歐式花藝風格的裝飾，利用外型設計和花藝妝點，充分展現自然材料的天然美與多元樣貌。
本創作分成三大情境類別:一、「室內擺飾的提袋包系列」二、「室外擺飾的提袋包系列」三、「攜帶外出的提袋包系列」，成為設計裡功能面與裝飾面上，使用情境不同比重的分配指標，也達成了不同空間情況，使用的提袋包不同的依據，讓提袋包不單只有攜帶外出的情境項目，成就了更多的提袋包設計創新構思，而實驗性執行過程，帶來了不同於市面上所見的提袋包類型與創意，也突破自然材料的使用限制，成為全新的提袋包類別。

Modern men look at a material on account, not simply of its shapes they used to first consider, but, now, of its patterns and natures. As a result, artificial materials are widely utilised, that the convenience is thus facilitated at hand, in our modern industrial society. However, the excessive use of them, instead, has driven people’s use of materials back to the natural and handmade materials.
This work aims to demonstrate its handmade touch and warmth, through time, patterns and variability, as well as the convergence of different materials and the wide variety of different textures. The shape and function of this handbag, decorated with European floral patterns, perfectly shows the beauty of natural materials and its variability by exterior designs and floral art of this work.
 
This work has three different categories: 1. “Interior Decorating Handbag Series”, 2. “Exterior Decorating Handbag Series” and 3. “Outdoor Handbag Series”, which, in functional and decorating design, can be seen as a distribution index, subject to its different contexts, for the use of different series of handbags under different spatial circumstances. This allows the handbag to be not only an outdoor item, but also an innovation that inspires more handbag designs to be made. During the procedure of experimental execution, it brings out new ideas for different categories of handbags other than the ones we usually see in the market, and it also breaks through the limitation of natural materials, becoming a whole new category for handbags.