近十多年來的竹藝生涯中，我的作品可概分二類：一是以原生竹做出傳統的、單件式的、藝術性的、少數人收藏的茶具為主；二是以竹積層材做出可工業量產的、現代造形的生活用品。二類之中，均有頗受好評的佳作，其共通點是我生活的經驗的具像式再現。
本論文中的設計作品，我延續從生活經驗尋找能再現的客體，它要具有抽象幾何造形，以有別過去的創造。在尋思中，我赫然發現日常食用的「蛋」是最好的代表，它象徵生命之始及圓滿。它的外形及曲面比圓、球還生動。於是，「蛋形曲面」變成我的創作母題，我要以竹積層材來創作可量產的大眾生活日用品。
創造過程中，我參考國內外有關蛋形的諸多作品，並探究蛋形的幾何原理。我先繪出平面的蛋形輪廓，以線直式栽切或布林運算，得到構件元素，將該元素依蛋之中心軸旋轉360度，使成蛋形透空或不透空的曲面，並意在筆後地賦予實用意義。各項設計經紙板打樣、線鋸精切、組裝、打榫釘、組裝、修飾等工序，共完成蛋形曲面桌、椅各兩套，吊燈、餐紙盒各一款。並在台中市港區藝術中心展出，藉此與觀眾互動，讓民眾更加了解竹材多樣貌的設計運用。
本創作的蛋形曲面之母題尚可繼續發揮，待費心之處有三：
1. 設計原型要配合3D軟體建模，以因應直接連結生產線機器做量化生產。
2. 表現方式要以非對稱性結構或不規則的堆疊，使作品更富趣味。
3. 拓展蛋形曲面之竹積層材創作品的生活應用想像。

In my bamboo craft career of the past ten more years, my works can be divided into two categories: First, traditional teapot set, made of original one-piece bamboo, is artistic and for a small amount of collectors; Second, everyday life commodity, industrially produced with modernized-form, is made of plybamboo. Both contained a few well-prized masterpieces, which in common were representations of the experience of my life.
In the design works in this thesis, I looked for an object that not only represents the experience of my life, but has an abstract geometric shape to distinguish from my former creations. It suddenly showed up “egg", the best representative one, that is eaten daily. It symbolizes the beginning of life and the perfection. Its shape and surface is more vivid than that of the sphere. The "egg-shaped surface" is used as the motif of my creation, and the plybamboo is used to create mass-produced daily necessities.
In the process of design, I reviewed many works of the egg shape at home and abroad and caught the geometric principle of the egg shape. Then I drew the outline of the egg shape, and used linear cut or Boolean operation to obtain the component element, which is used to make an egg shape transparent or impervious by rotating 360 degrees on the central axis of an egg. The practical meaning of the creation can be made either forward or afterward. It is through the process of cardboard proofing, wire saw cutting, assembly, nailing, assembly, modification, and etc., two sets of egg-shaped curved tables and chairs, two chandeliers and a dining carton are completed. An exhibition, held at the SeaPort Art Center of Taichung City, gave me an opportunity to interact with audiences, and offered them more about the design and application of plybamboo.
The motif of the egg-shaped surface of this topic can be further generated, yet more attentions might be paid to the three points as follows:
1. The design prototype should be modeled with 3D software to mass production in response to direct connection to the production line machine.
2. The way of expression is to be asymmetrical or irregularly stacked to make the work more interesting.
3. Expand the utility imagination of the creation of plybamboo of the egg-shaped surface.