設計成果

設計成果


毒癮的迷幻夢遊應用於藍染之觀念藝術創作

刊登日期:2020-02-16

論文名稱 毒癮的迷幻夢遊應用於藍染之觀念藝術創作
論文名稱(英文) The Application of Psychedelic Explore of Drug Addiction in Conceptual Art Creation of Indigo Dyeing
研究者(中文) 陳佳含
研究者(英文) Chia-Han Chen
學 號
學位類別
出版年 2016
論文頁數 145
學校名稱 國立臺中科技大學
系院名稱
系所名稱 商業設計系碩士班
指導教授 林承謙
中文關鍵字 毒品、藥物成癮、超現實、蒙太奇、敘事
英文關鍵字 drug、drug addiction、surrealism、montage、narrative
論文使用權限
中文摘要

毒品問題早已蔓延在世界各地,近年來台灣在不良幫派唆使下,毒販藉由一些問題學生將毒品引進校園,已成為令人避之惟恐不及的社會問題,導致缺乏判斷能力的青少年成為重要的消費族群,也因此本創作者省思如何讓青少年遠離毒害的誘惑,並加以分析歸納這些藥物濫用過程所產生的一切體悟。
透過本次的研究希望能達到創作目的:1. 重視大眾忽視的社會議題,誘發毒品對青少年危害的警覺性,進而感知世界毒品氾濫的問題。2. 明白毒癮的真相,傳達因吸食毒品歡愉後所承受的代價,借助個人意識的覺醒,抑制毒品的需求。3. 轉化觀念藝術以圖像化的方式,讓青少年更能透過創作畫面真實體會吸食毒品所導致的後果。4. 將藍染創作結合超現實與蒙太奇,促使每件作品都能與觀者產生視覺互動。本創作主要核心包含關注毒品議題、結合觀念藝術與藍染技法這三大面向交疊而成,再經由文獻歸納發展出超現實、蒙太奇的表現形式:敘事性、反理性、呈現心靈世界、夢境中的影像。將這些形式運用於藍染之「蠟染、型染、絞染」的技法,套用在成癮週期:「蜜月期、濫用期、低落期、重返期」的圖像創作,依循此流程建立創作之敘事性結構並展示出十件大型裝置作品。
本創作除了打破藍染技術在一般傳統製作的表現形式框架外,匡正社會大眾重視毒品氾濫的嚴重性,借此以觀念藝術的創作模式,讓更多的青少年能獨立自主的了解毒品真相、權衡他們應有的正確之社會價值觀念。

英文摘要

The problems of drug use and abuse have spread all over the world for a long time. Aiding and abetting by the gangs, drug dealers have used delinquent students to smuggle drugs into the campus in recent years which has caused many serious social problems. Many young people who are lack of good judgment have become the key consumers of the drugs on campus. As a result, the author has reflected on how to keep the young people away from the seduction of the drugs and analyze and evaluate how the youth get involved in drug use and abuse.

The purposes of the art creation for the study are as following:
1)To draw the public’s attention to the ignored social issues and to raise their awareness for the harms of drugs to young people and make them to be aware of the drug abuse problem in the world;2)To understand the truth of drug addiction, to show the consequence after short joyfulness of using drugs and to reduce the demand of drugs by awakening the public’s consciousness;3)To transfer the Conceptual Art into images, so the young people will have more tangible idea about the consequence of using drugs by the images displayed by indigo dyeing works;4) To combine the indigo dyeing creations with Surrealism and Montage Art, so as to create the interactions between each work and viewers. The core of the creation includes three aspects, i.e. to draw attention to drug abuse and to combine Conceptual Art and Indigo dyeing skills. And to develop the form of expression of Surrealism and Montage Art through literature review to present the irrational images appeared in interviewees’ mind and dreams based on the narrative of them. The author integrated these art forms into indigo dyeing skills such as “wax-resist dyeing, dyeing with a mold and tie dyeing” and applied the skills to create the images the interviewees see during the cycle of drug addiction, i.e. honeymoon stage, binging stage, withdraw stage and returning-back stage. The author creates ten large site-specific installations and the narrative structure of these ten artworks followed the procedure mentioned above.
Not only do the artworks break the frame of the traditional expression ways of indigo dyeing, but also draw the public’s attention to the problems of drug use and abuse. The author would like to use the creation of Conceptual Art to help more young people understand the truth of drug addiction by their own and therefore develop good social values.

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參考文獻
原文下載 https://hdl.handle.net/11296/7drj88
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