「時．器」承接收納的物件為器，東西方工藝皆探尋器物的形與美，器物會隨時代轉換，有不同的面貌呈現。

人類一切的文化與文明都是生活經驗的累積，我們在生活周遭裡眼所見，耳所聽，手所觸的…幾乎可說，人類的歷史就是生活的歷史，文化是人類在生物演化的過程中產生的，器物通常是生活道具，故所有的物品有著一個共通點，就是能夠自然融入日常生活之中，「藝術生活化•生活藝術化」。

本研究內容將跟著時令生活，按節氣時序，透過季節更迭，將四季春、夏、秋、冬隨著四季循環，融合中、西文化與自然、人文、藝術、為創作內容。

本創作研究所指「金屬工藝」，即為以金屬之銅胎琺瑯和錫胎染色等多媒材為創作材料，再結合自然環境與水墨意象表現為內涵，創作出具生活美學的使用物件。

All human cultures and civilizations are the accumulation of life experiences. Artifacts have become essential props in life. In the craft world, both the East and West seek the fine shape and beauty of vessels.
As time changes, vessels are also adjusted with new ideas and different appearances.This study and creation are inspired by passing of seasons, blossoms in spring, tea in summer, wine in autumn and fragrance in winter. Vessels are blended with ingredients of life, culutres and time affection. Life is art and art is life. With this concept and elements in mother nature, works with life aesthetics are formed.
The creations include various enamel applying on copper items, dying pracitce on pewter objects and mixing of materials. The first part of the study is to analyze life aesthetics and tracks of time. The following part is the field investigation to seek ideas and expression of contemporary ink imagery. From the physical movement, observation and reflection, funtional vessels are created with cores of ink imagery and life aesthetics